Short Film Alert: The Arborlight

“Garlic, herbs and rooster’s crow,
or far away the children go.”
— The Arborlight

thearborlightBrian Sutherland and Eden Campbell in “The Arborlight.”

How far would you go to save your child?

What would you do if you could not?

Those are the questions at the heart of The Arborlight, a breathtaking fairytale faith-versus-science story. Thomas and Liz’ young daughter, Elly, is fighting terminal tuberculosis, and although the doctor that attends to her is optimistic, Thomas grows more and more certain that Elly isn’t going to make it through. One day, while gathering flowers for his daughter’s bedside, he discovers a place that looks exactly like the fairy stories she loves so much, and Thomas finds he must choose between the approach of worldly medicine and the lure of something a little more magical…

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The Arborlight is filmed beautifully using RED cameras, and despite the fairytale cottage and medieval costumes, Thomas and Liz feel like modern parents in a very modern struggle. Modern medicine has come a long way from the bloodletting and surgery-superstition that Thomas and Liz took as gospel truth, but people still die all the time from maladies doctors and medicines still can’t touch, and people still look for cures beyond what modern medicine can provide — miracle potions and mail-order cures, shamans and prayer healings. In a way, it’s tragic to watch Thomas and Liz make the decisions they make, because modern viewers know that they really have no choice, that the bloodletting provided by the plague doctor is ineffective and cruel, and that both choices are going to be heart-wrenching and unfair.

It reminds me of Anna Mayer‘s beautiful video above, about a young teen suffering from a condition that she knows is going to kill her, and the wrenching feeling about how unfair that is. I thought of Emily a lot while I watched The Arborlight. Modern society judges people who, upon not finding modern medicine sufficient, turn to a place of faith and unreason, but like Thomas and Liz tell us in The Arborlight, it’s a question we’re all going to have to face. Modern medicine will eventually fail. None of us will live forever. What are you going to do on the day? What will you believe? What would you turn to? Can any of us really even know until we, like Thomas, Elly and Liz, are facing it?

Do yourself a favor and watch The Arborlight, a film by Philip and Kevin Harvey, starring Brian Sutherland, Lisa Coronado, Eden Campbell and Russell Hodgkinson:

Watch a behind-the-scenes documentary on how they filmed using the Movi:

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Read the August Third Order story, “A Tomb For Demrick Fauston,” by Fred McGavran!

NEW FICTION: “A Tomb For Demrick Fauston” by Fred McGavran

“How do you know when you’re dead?”
— Demrick Fauston, “A Tomb For Demrick Fauston”

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I am so, so excited to bring you Third Order’s first — but not last! — new story in over five years.

If the name of August’s author sounds familiar to readers, it’s because “A Tomb For Demrick Fauston” is actually Fred McGavran’s second story for Third Order. The first, “The Sycamore Street Anchoress,” was published in 2008 and can be read by clicking here.

McGavran’s is the Marvel universe of Episcopal fiction, with the priest Charles Spears serving as his central axis; stories based out of the Downtown Church of Our Saviour appear in his short story collections as well as print journals and e-zines, and we’re honored to have two of them at home right here in Third Order. Spears is a very human priest doing his best to serve a congregation with very human issues — and, occasionally, some that are a little more superhuman. Anyone who has ever been to a vestry or parish council meeting will feel right at home; anyone who knows a church that does the best it can to accomplish its mission in the modern world or a priest who does his best each day will recognize the Downtown Church.

In this month’s excellent story, we revisit Our Saviour and its world of magical realism; this time, we visit the offices of mega-developer Demrick Fauston as he faces death, the world beyond, and a great and terrible secret. This is McGavran’s response to the world of the selfie and the world of the self-centered, and the world that develops around the burdened soul.

On Sacred Earthlings this month, we’ll revisit McGavran’s story through interviews with the author — and expect a lot more about death, reconciliation, atonement and what might come after this world is done, as well.

Enjoy Fred McGavran’s “The Tomb of Demrick Fauston,” August’s story on Third Order Magazine.