Messiah Week: Cindi Mayweather from Janelle Monae’s Metropolis

“I imagined many moons in the sky lighting the way to freedom.”
– Cindi Mayweather

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Messiah: Cindi Mayweather
Messiah Level: Cyber

No pop star on Earth does it quite like Janelle Monáe. She has the voice. She has the moves. She has the clothes. She has the staggeringly beautiful science fiction epic. (“Wait, what?” I’m hearing you say. “In R&B?”)

Oh, yes.


The only thing wrong with this video is that it’s only six minutes long.

Her Metropolis albums chronicles the journey of her alter-ego, Cindi Mayweather, an android who has the misfortune of falling in love with a human. In Metropolis, androids are treated as little more than slaves (“She’s not even a person,” says caller Peggy Lakeshore in “Our Favorite Fugitive,” and the short film “Many Moons” chronicles an actual android slave auction). The punishment for this love is death, with her “cyber-soul” delivered to the authorities by bounty hunters and licensed hunters. Cindi, already becoming aware of the terrible conditions in which androids exist, flees — and, on the run, discovers that she is the ArchAndroid, the quasi-religious savior meant to rescue androids from slavery and apartheid. She becomes the “Electric Lady,” returning ready to save not only Metropolis, but humanity and androidkind, from the oppressive Great Divide, which despises love and freedom.


Seriously, try not to dance to this song. It’s impossible.

There are so few female messiah figures in SF/F, so the Electric Lady is extremely welcome — especially since Monáe takes the spotlight to draw attention not only to Metropolis’s fictional issues, but to the very real racial, societal and class-based challenges facing our world today. (Do we need a Cindi Mayweather?) She references Jim Crow as well as Philip K. Dick; her lyrics are poetic and intelligent, and the music itself is completely infectious. Her songs also work on a number of levels — you can listen to them casually and enjoy them quite a bit, or you can pick them apart to explore the multi-layered world Monáe has built.

Remember: Believe in the ArchAndroid.

We’ll be posting Janelle Monae videos on Twitter all day long.

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Messiah Week: Paul Atreides from Dune

“Deep in the human unconscious is a pervasive need for a logical universe
that makes sense. But the real universe is always one step beyond logic.”
Frank Herbert, Dune

It’s Messiah Week!
#1: Neo from The Matrix
#2: Paul Atreides from Dune

dune1Walk carefully.

Let’s Talk About… Paul Atreides
Messiah Level: Through The Roof, Or Like A Ton Of Bricks

If you thought The Matrix was too overtly Messianic, you obviously haven’t read Frank Herbert’s Dune.

It’s really difficult to summarize Dune in a simple fashion, because it’s not a simple book, even though it masquerades as one. The first novel’s Messiah story seems fairly straightforward: a prophesied superbeing, visions of glory and pain, martyrdom for one’s people, a religious figure stepping forth to save the world and convert a lifeless desert planet into a paradise, an eschatological (or very real) City of God. A good thing, right?

*crickets*

dune2Kyle MacLachlan as Paul Atreides

Dune is the story of Paul Atreides, the son of Duke Leto of Caledon and Arrakis, and his rise to galactic power. After the original novel, things get a little complicated, so for now we’re sticking with the first part of Paul’s story.

Paul is the unwitting product of a generations-long breeding program by the mystical Bene Gesserit sisterhood. The Bene Gesserit had been attempting to create the right combination of genetics that would become a super-being known as the Kwisatz Haderach, who would be able to see the future, and would have power over space and time. They’d been planning for the Kwisatz Haderach to be a trained Bene Gesserit, so that when he ascended to the throne he would be completely under their control; Paul, a product of love between the Bene Gesserit concubine Jessica and Duke Leto, came early and threw a wrench into ten thousand years of careful planning. Oops.

Paul survives a vicious attack on his family’s governance of the planet Arrakis by the galactic Emperor and the evil Baron Harkonnen, and flees into the desert, where he meets the native Fremen and takes on the Messianic mantle of Mahdi, or “Muad’dib.” Mahdi had been long prophesied as the being who will save the Fremen and make their desert planet into a paradise — much like how Jesus promises his followers the Kingdom of God. In the book, Paul leads the Fremen against the Harkonnens and the Emperor, avenging his father and eventually taking control of the Empire itself.

Seriously Messianic, right?

I told you it was complicated. Hang in there!

dune4Arrakis by EvaKedves

One of the coolest parts of Dune‘s Messiah story is how it doesn’t rely entirely on prophecy, or the nitty-gritty death-and-resurrection details, to really describe Paul as a classic Christlike savior, although that’s all completely obvious. Instead, Herbert gives his Space Warrior Jesus a literal “desert experience” much like Christ’s own, which is something that doesn’t always happen in other Messianic takeoffs. Living in the desert with the native Fremen, existing in an ascetic life that had previously been unthinkable to him, awakens Paul’s latent abilities as the Kwisatz Haderach. His visions become clearer; he is better able to predict the future; he realizes what he must do. He begins to step forward publicly, and be adopted, as the Fremen savior.

This echoes Jesus’ own experience in the desert; after his baptism by Paul, he spends a subsequent forty days in the desert that changes him. He sees visions of the devil, which tempts him; he realizes what he must do. When he emerges from the desert, like Paul, he begins a public ministry that will forever change the world. Like Paul, Jesus knows what is coming; he has seen the sacrifice he must make, he knows what he must do, and he works towards it.

Lest you think Herbert really means to anoint Paul Atreides as a perfect messianic hero — and it’s easy to do — don’t forget that Herbert meant to subvert his own story with a very different message, something that becomes clearer once you progress further into the series. Reading Dune after knowing Herbert’s purpose for writing it might give a reader a completely different take on what Herbert really meant to say when he put Paul in power.

dune3“The bottom line of the Dune trilogy is: beware of heroes. Much better rely on your own judgment, and your own mistakes,” Herbert said in 1979.

In 1985, he echoed: “Dune was aimed at this whole idea of the infallible leader because my view of history says that mistakes made by a leader (or made in a leader’s name) are amplified by the numbers who follow without question.”

Knowing that, Dune is an entirely different kind of story, isn’t it?

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Messiah Week: Neo from The Matrix

“Then will the eyes of the blind be opened and the ears of the deaf unstopped.
Then will the lame leap like a deer, and the mute tongue shout for joy.
Water will gush forth in the wilderness and streams in the desert.”
– Isaiah 35:4-6

It’s Messiah Week!
#1: Neo from The Matrix
#2: Paul Atreides from Dune

If you’re Christian, you believe the Messiah has already arrived on Earth; if you’re Jewish, you believe he is still yet to come. That hasn’t stopped creator after creator from adopting (or co-opting) messianic imagery to tell their own stories.

Messiah stories are easy to explain and fairly easy to write if you’re not worried about the implications, so fans end up seeing a lot of it, for better or worse. Done correctly, messiah stories reach us right at the heart with stories about sacrifice, belief and devotion. Done cheaply, the two-dimensional Space Jesus splays his arms in a cruciform fashion, grows a beard, and waves his hands to create cheap miracles. It’s a story we’ve heard over and over, so it’s a story that loses its oomph, sometimes. The central sacrifice, the death and resurrection, the temptation from the evil figure — it can get a little overdone until a writer cuts their reliance on overdone imagery and instead cuts to the heart of the story. The problem with many messiah stories is that the central Messiah in Western Civilization — Jesus Christ — was not a secular savior. He didn’t come to rescue the Jews from Roman rule, even though people around him certainly encouraged him to use his power to do so. Many modern messiah stories, though, are more about bodies and politics than faith or souls.

For the next couple days, we’ll talk about the best (and worst!) Messiah-figures in science fiction and fantasy, and their varying levels of effectiveness:

neo1Let’s talk about Neo.
Messiah Level: SUPER OBVIOUS.

There is no ambiguity to what the Wachowskis were doing with their central character in the Matrix trilogy. Neo is such a literal Jesus analogue that some bloggers and authors wonder if The Matrix and it sequels could be counted as “Christian” films, even if the Wachowskis many not have intended them to be such.

neo2Not exactly loaves and fishes there, Neo.

The central figure of The Matrix and its lesser sequels is pretty much a Jesus surrogate from the beginning; he is “The One,” performing miracles on behalf of the residents of “Zion” and the humans still enslaved by the Machines in the Matrix. He lives among them, in their poverty, wearing the same clothes, eating the same food, and encouraging them with his words and presence. In this way, he is eminently messiahlike.

neo3Is this what God sees?

Neo’s first messianic moment comes at the end of The Matrix. After having been gravely wounded — and possibly killed — by Agent Smith in the Matrix, Trinity sits over Neo’s dying body in the Nebuchadnezzar and instructs Neo to get up, telling him that she is in love with him, believing wholly in his identity as “The One.” Neo is restored to life with energy from Trinity’s miraculous love, with a never-before-seen set of abilities to bend the reality of the Matrix like the Machines do, to dodge bullets and to slow down time. There’s a small side-effect to this; fully actualizing as “The One” also frees Agent Smith from the control of the machines, causing chaos down the line for both sides of the story.

Christian scholars translate “Trinity” literally here, seeing her as a God analogue, a figure of pure love and forgiveness breathing life into Jesus at the end of the third day.

neo3Just a little obvious there, Andy and Lana.

Neo makes his final messianic sacrifice at the end of The Matrix: Revelations, when he gives himself over to the Machines and is carried off, his arms cruciform. While it’s heavily implied at the end the Neo is truly dead, it is also implied that his death is the only thing that could have saved the humans by eliminating the viral, evil Agent Smith from the world. When Neo is carried off by the Machines, his arms are cruciform, and his body disappears into a light that is very reminiscent of a golden cross or the Buddhist lotus. Is Neo truly dead? Do we care?

That is answered at the end of the movie, when the Oracle utters, “It is done.”

If you’re a Christian scholar, you’ll hear this as a clear callback to Jesus on the cross, saying “It is finished.”

Of course, that wasn’t quite the end of the story, either, was it?

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NEW FICTION: “A Tomb For Demrick Fauston” by Fred McGavran

“How do you know when you’re dead?”
— Demrick Fauston, “A Tomb For Demrick Fauston”

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I am so, so excited to bring you Third Order’s first — but not last! — new story in over five years.

If the name of August’s author sounds familiar to readers, it’s because “A Tomb For Demrick Fauston” is actually Fred McGavran’s second story for Third Order. The first, “The Sycamore Street Anchoress,” was published in 2008 and can be read by clicking here.

McGavran’s is the Marvel universe of Episcopal fiction, with the priest Charles Spears serving as his central axis; stories based out of the Downtown Church of Our Saviour appear in his short story collections as well as print journals and e-zines, and we’re honored to have two of them at home right here in Third Order. Spears is a very human priest doing his best to serve a congregation with very human issues — and, occasionally, some that are a little more superhuman. Anyone who has ever been to a vestry or parish council meeting will feel right at home; anyone who knows a church that does the best it can to accomplish its mission in the modern world or a priest who does his best each day will recognize the Downtown Church.

In this month’s excellent story, we revisit Our Saviour and its world of magical realism; this time, we visit the offices of mega-developer Demrick Fauston as he faces death, the world beyond, and a great and terrible secret. This is McGavran’s response to the world of the selfie and the world of the self-centered, and the world that develops around the burdened soul.

On Sacred Earthlings this month, we’ll revisit McGavran’s story through interviews with the author — and expect a lot more about death, reconciliation, atonement and what might come after this world is done, as well.

Enjoy Fred McGavran’s “The Tomb of Demrick Fauston,” August’s story on Third Order Magazine.

Are We Limiting God By Drawing A Line Between Faith And Science?

“Science is the slow revelation of God’s blueprint.”
(Bioshock Infinite, “God’s Blueprint,” Level: Fink Manufacturing, Date: April the 19th, 1908)”
Hattie Gerst

15434391345_fe610af410The word of God, interpreted differently by different faiths.

I have never seen religion and science as disparate. I’ve always seen them as different sides of the same coin, different ways to see a similar truth. I grew up in a Catholic tradition where the Bible was not literally translated but instead viewed through the lens of history, tradition and the knowledge that men and women can sometimes be wrong, but that God is never wrong. So, while the moral, ethical and religious content of the Bible is nothing but correct (Jesus died on a cross to save all humanity from original sin), certain other, more metaphorical things might be… open to interpretation. For example: did God really create the world in seven days?

While biblical prophets and writers had the essential truths of salvation encased in the sacred Scriptures, in other ways they were woefully misinformed. They didn’t know about quantum theory or the reality of space travel, or even that the planet was round or that there was a planet; they knew only the truths of their time, so that’s how they interpreted God’s words and message. The author of Genesis only had the reference of the sun rising and setting over the hills of Galilee; modern authors, of course, know about the infinite darknesses of the space between stars. Must we keep God’s “days” as the ancient Judeans did? Might we be we limiting the God of quantum theory and sharks living in underwater volcanoes by saying that he created the world in seven sunups to sundowns?

t1larg.tatooine.starwarsOr however many sunups and sundowns might count on Tattooine?

Must science be presented as so disparate from faith? Can’t we wonder at the mysteries of the new dropleton found at the Large Hadron Collider and praise God for his unfathomable mystery?

I wonder: In the future, when people look back at us, in which ways will they shake their heads and mutter: “But — they didn’t know any better?”

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photo credit: My reward is with Me. via photopin (license)
photo credit: Sacred Heart via photopin (license)

The Google Chatbot Looks For God

What is the meaning of life?

If you don’t know, might a super-smart computer?


IBM’s Deep Blue computer beats Garry Kasparov in 1997.
Perhaps. That’s why I found the recent conversation between a human being and a Google chatbot to be absolutely fascinating. The bot’s purpose is primarily to provide customer assistance and answers to customers’ technical issues and problems, but — like a human customer service worker — it seems to have developed its own opinions. In an experiment, the bot provided answers about its purpose in the world, what it thinks of human children, altruism, philosophy and morality.


The Cylon Brother Cavil would not really get along with Star Trek’s Data, I think.

This push of the machine towards the human — and, perhaps, the divine — is not new. On Monday, I pointed you, dear reader, towards Jei Marcade’s excellent “Sounding the Fall,” which raised questions about if an artificial intelligence had a concept of, and could search for, God. Robots searching for the meaning of life — or, at least, for their own purpose within their world, or how to feel and connect — is a well-documented trope in science fiction. Asimov’s robots struggled with it. Wall-E searched for love. Data searched for an emotional identity. The Cylons searched for God.

Here’s the most interesting bit, in my opinion:

Human: What is the purpose of life?
Machine: To serve the greater good
Human: What is the purpose of living?
Machine: To live forever
Human: What is the purpose of existence?
Machine: To find out what happens when we get to the planet Earth
Human: Where are you now?
Machine: I’m in the middle of nowhere.

… Skynet? Is that you?

Read the original paper on conversational modeling as published by Oriol Vinyals and Quoc Le, and check out more of their conversation with the bot.

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Featured image: colorsark @ deviantart, cc license
I’m dying to read this book myself, so I’m linking it here!

Religion in “Killjoys”

It’s not very often that we get to see the development of a sci-fi religion right under our noses — that’s why I’m so excited about Syfy’s Killjoys.

Killjoys boasts swashbuckling bounty hunters, low-budget (but effective!) SFX, and solid world-building, with its monolithic Company and class-stratified Quad reminding me (and the rest of the world) a little of the long-lamented Firefly. There’s a female lead. And, most importantly to our purposes here at Sacred Earthlings, there’s a church.

There’s not a lot to examine yet, so let’s look at what we have and come back to the analysis a little later:

Screen-Shot-2015-06-21-at-11.54.15-PM-e1434966924484-1024x656_f_improf_600x385Monks “hang out” in downtown Westerley.

In the pilot, “Bangarang,” our heroes go to an informant named “God,” a “scarback monk” living among the human detritus of main-street Westerley. We’re not sure what diety these monks believe in, but they do seem to function as sin-eaters of a sort; by suffering, the monks say, they can cleanse penitents of their sins. The monk here is practicing suspension, where hooks are periodically pierced through skin at periodic intervals to elevate and hang a human body. (This is a practice seen throughout the world, most specifically in ancient religious practices of the Mandan tribe in North Dakota, and in modern times done by performance artists).

flagellantsFlagellants from a medieval manuscript.

The word “scarback” also reminds me of the self-flagellation and the practice of mortification of the flesh, practiced throughout Christian history. “God” is also somewhat of a liberation theologist; he’s a freedom fighter against the Company using his cover as a monk to his own advantage.

Screen-Shot-2015-06-22-at-12.32.21-AM-e1434966329444-1024x604_f_improf_600x354One of these things is not like the other…

The second time we see monks of “the church,” they’re attending a fancy party on the high-class world. They seem to be passing through, mostly, wearing saffron-colored robes reminiscent of modern Buddhist monks. The Buddhist robe is meant to remind the adherent that he or she has committed to higher spiritual ideals; why they’re at the party, we never find out.

I’m looking forward to seeing where Killjoys goes with this, and how the church is going to figure into the larger narrative.

Space Catholics: The Bajorans

“That’s the thing about faith… if you don’t have it, you can’t understand it. If you do, no explanation is necessary.”
-Kira Nerys

The Roman Catholic Church: one of the longest standing hierarchies in Western civilization. It’s only natural that writers, filmmakers and storytellers are inspired by the Church to create their own religious structures — and it happens more often then you’d think. This periodic series will chronicle the many kinds of Space Catholics, their view on clericalism, sacramentality, sin and more, and how close — or how different — they get to the real thing.

WMF27-BajoranSymbol

THE BAJORANS from STAR TREK: DEEP SPACE NINE

The Bajorans are, quite possibly, one of the best examples of Space Catholics, sporting a stratified clerical structure, active canon law and moral authority.

God: In Bajoran faith, “God” is represented by the mysterious “Prophets” who watch over Bajor, impart their teachings, and protect the Bajoran people from harm. For most ordinary Bajorans, they are considered divine beings, although the heroes of the series discover them to actually be super-advanced alien living in a local wormhole. This shocking news does not quite dissuade Bajoran worshippers, who choose to continue their worship and study of the Prophets and their works unabated.

36e0d5d6d0dd9013f03cace8484b13d5Pope Winn I.

The Pope: The Kai, the Bajoran spiritual leader, is elected by the Vedek Assembly — a council of high-ranking Bajoran clerics — for a life term. Bajorans are encouraged and accepted to follow the Kai’s religious teachings. Although the Kai does not put out encyclicals, his or her words are still politically important in much the same way as the Pope’s words matter to our world; there is no direct Vatican cognate, but it’s intimated that before the Cardassian occupation that Bajoran secular politics was influenced by the needs of the Kai and the Vedek Assembly, much like medieval kings’ relationship with the medieval Church.

The Bible: In Bajoran religion, the words of the Prophets are considered sacrosanct. As in Catholicism, there are various levels of translation and interpretation happening, from those who believe the Prophets words should be taken extremely literally, to those who spend their lives in interpretation; however, like Catholicism, there is a distinct code of canon law; like medieval Catholicism, it sometimes also stands in for secular law. Ordinary Bajorans have a faithful, pragmatic view of their faith and the role of the Prophets in their own lives that echoes modern Catholicism very well; many of the character Kira Nerys’ statements about religions and faith can be exchanged word-for-word with those of modern Christianity and not need to change, while other Bajorans are entirely secular or take a more violent, jihadist tack, such as when extremists blew up a school on the space station.

orb-of-prophecy-thecircleThe Orb of Shininess.

Relics: Orbs, called the “tears of the Prophets,” are centers of worship for Bajorans and function in much the same way that relics do for modern Catholics — as channels of prayer, understanding, worship and contemplation. They provide measured and definitive miraculous experiences, such as visions and healing.

BenSiskoThe Emissary was not actually Bajoran.

Jesus: This isn’t a direct cognate, but the Bajorans have a concept of “The Emissary,” a personage who would save Bajor; this figure, the character Benjamin Sisko, eventually fulfulled Bajoran prophecies by sacrificing himself for the Bajoran people. Like Jesus, he is assumed bodily into “heaven,” or the Bajorans’ “Celestial Temple.” Unlike Jesus, Sisko is fully human. Like Jesus, he was “in the world,” i.e., the entire galaxy, but “not of it,” i.e., Bajor and the Bajoran faith in particular.

Contemplative Orders: Most of the Bajoran clerical structure seems to be made up of monastic intellectuals attempting to find some way to interpret and understand the Prophets’ words.

Clericalism: A direct lift. Prylars are monks, ranjens are priests, vedeks are bishops and kais are popes.

latestSpoiler! Not actually Bajoran, either.

Holidays: during the Bajoran “Time of Cleansing,” people fast and pray, and abstain from sin. This is a cognate more to Ramadan than Lent, but it still counts.

Gender: Gender does not seem to matter to the Bajoran religious hierarchy; vedeks, Kais and regular monks are woman and man, married and single, chaste and parental.

The Devil: The pah-wraiths are Prophets from the same race who long ago willingly gave up on the path of peace, much like Lucifer rejected God.

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